|
|||||
|
Get the picture Boom Bah! took me three months to complete. This may
seem like a long time to spend illustrating a 32 page picture book but
in actual fact it was fast going.
|
||||
|
Thumbnails not fingernails! Before I concentrate on an individual illustration
I like to get a visual overview of the entire story. |
||||
|
A closer look Here is my original thumbnail sketch for:
|
||||
|
Bringing character's to life After reading the story and sketching the thumbnails,
it's important to become familiar with the characters.
|
||||
|
Get the picture Using my thumbnails as a guide, I draw up a double page spreads onto A4 sized paper. These larger drawings allow me to add more detail but are not too big to bog me down. This size is also very practical for scanning and emailing. Looking at this drawing, you can see that I've become more familiar with the characters. I've also rearranged the animals. The illustration reads from left to right. |
||||
|
Inside out I've decided to have the animals inside the kitchen. To bring the scene indoors, I've adding a skirting board, a door and a couple of tins of food. The publisher suggested that I introduce a second mouse to act as the narrator. As well as narrator, this second mouse helps gather the crowd (including the reader) to join in with the band. |
||||
|
Hello goat! This story is all about building momentum and sound, to show this visually, I introduce each animal one by one. The goat doesn't feature till the next page however, It was decided that this cut- through-view was too complicated for the younger viewer. |
||||
|
|
The complete picture I draw the scene again. This time showing only the goats head poking through the door. I've also moved the box into the kitchen (setting up the goats instrument for later in the story). With these final changes, the visual story is now starting to come together and I'm pretty happy with the layout. I enlarge my A4 drawing to the actual size of the book. (With the more detailed illustrations I would continue drawing in detail at this larger size). |
|||
|
Colouring in Using a light pencil, I trace the sketch onto a sheet of watercolour paper. |
||||
|
On the line Using a conté pencil, I draw the outlines of
my illustration. I like to work quickly, insuring my line work stays fluid
and rhythmic.
|
||||
|
Try and try again I go back to my original sketches and see what I can find. I find this hen from my earlier sketches. I redraw the entire illustration, replacing the old hen with a similar pose taken from this new hen.
|
||||
|
Knowing when to stop I'm much happier with my new hen. After about four days work the colour picture is finally
complete.
|
||||
| © Nina Rycroft 2009 | |||||